“If you were a misfit, The Dicks’ music was for you.” Those words open up the documentary The Dicks From Texas, now featured on Night Flight Plus.
While the Ramones were the kings of punk rock on the east coast,
Black Flag on the west, and the Clash coming out of England, in the late
70s, Austin seemed like an unlikely place for a punk band with a gay
lead singer to emerge from.
“Here in Texas, you really have to put this into context of Austin, which kind of seems like a liberal cool place now,” reveals author and photographer Bill Daniel in the documentary. “It just wasn’t like that in 1979 and ’80.”
According to Mark Kenyon: “There was a real cliché of Austin
music being hippie music and/or blues. It was an opportune time for
something new to happen.”
It’s hard to imagine, especially since in the past decade Austin has
become a sort of Mecca of cool — with a deep music scene and Alamo
Drafthouses for the cinephiles — that residents are attempting to “keep
The band was born of conjecture from lead singer, Gary Floyd.
“I started lying, yeah, I got a band called The Dicks.”
They were a poster band, just a made up name that would show up on
flyers and posters for shows around Austin. From Floyd’s ruse, an actual
band was formed with original members Floyd, Glen Taylor on the guitar,
Buxf Parrot on bass, and Pat Deason on drums.
The Dicks combined the hardcore sound with the sardonic silliness of
the Ramones and plenty of social and cultural ideology of Minor Threat
in three-minute blasts of unbridled, distorted energy.
Floyd was one of
the first openly gay punk singers of the era, a behemoth of a man clad
in make-up and a nurses dress, singing songs about anonymous sex in
“Saturday Night At The Bookstore.”
The band became known for their drunken live performances. “They were always great, but they were always kind of shambolic,” explains Henry Rollins in the documentary.
they were really drunk, someone might fall over backwards…oh, it sounds
like half the band is playing one song and half the band is… oh screw
it, this is great.”
“It had never occurred to me before seeing The Dicks that being afraid of the band could be a cool idea,” states David Yow of Jesus Lizard.
The Dicks became fixtures of the small but loyal Austin scene, often
gigging with other hardcore bands from the Lone Star state such as MDC,
The Offenders, and The Big Boys. The group released their first single,
“Dicks Hate The Police,” beating both N.W.A and Body Count to the punch
by eight and twelve years, respectively.
The documentary, The Dicks From Texas, was released as a 16-year labor of love from film student and fan of the band, Cindy Marabito. The Dicks From Texas has
an appropriately D.I.Y feel to the proceedings, with most of its
interviews conducted on grainy VHS, in noisy bars, busy streets, and
darkened bedrooms, places The Dicks and their fans appear to be the most
Sometimes the interviews are hard to hear and subtitles are provided,
but if you know The Dicks, this is exactly how a Dicks documentary
needs to look.
Archival footage of Dicks shows are combined with
photographs, old flyers, and interviews with former members of the
group, other “poster bands” from the area such as The Torn Panties and
fans (some of whom moved to Austin because of the Dicks and have
remained in Texas) not only provide insight into the Dicks’ career, but
provides those who weren’t there — which is most of us — with a snapshot
of a scene.
It’s a treat watching all these elder statesmen and women
reminisce about their old haunts and the bands that they loved.
Singer Gary Floyd left Austin for San Francisco with a new Dicks
lineup including Tim Carroll, Sebastian Fuchs, and current Imperial Teen
drummer. Lynn Perko. The band released albums on SST Records and
Alternative Tentacles before disbanding in 1986, save for an occasional
The original lineup (save for deceased guitarist Glen
Taylor) got back together in 2004 and have since filled Taylor’s spot
with Austin musicians such as Mark Kenyon, Brian McGee, and Davy Jones.
The Dicks’ influence can still be felt today in hardcore punk and the
“queercore” movement that some would credit them with starting.